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Programmes
Passacaglia offers a wide range of attractive, popular programmes to suit different audiences, performance conditions, and budgets. The line-up can include core group members and regular guest artists (see right), scaling up from a flexible trio, through the usual trio sonata grouping, to a larger ensemble suitable for chamber concerto repertoire.

To find out more about each of the programmes, click on its name:

Coffee House Music

coffeecup
One of Passacaglia’s most popular and entertaining programmes, Coffee House Music is a celebration of the lively eighteenth century coffee club culture which prevailed in cities across northern Europe, from Leipzig to London. Featuring famous music performed in the Coffee Houses, and celebrating the power and potency of this newly popular beverage, our programme presents pieces by Telemann, Handel, Marais and, with soprano soloist Julia Gooding, JS Bach’s famous aria Ei! wie schmeckt from the Coffee Cantata.

The Grand Tour

In this most extravagant of baroque programmes, Passacaglia re-traces the cultural route of the traditional Grand Tour. Beginning in the theatres of Handel’s London, we travel via the Royal Palace at Versailles into the coffee houses known by Bach and Telemann, crossing the alps to Vivaldi’s Venice and finally to Rome, home of baroque master Corelli. An elegant collection of some of the best instrumental solos, trios and quartets of the baroque era. Available as an instrumental programme, or with soprano Julia Gooding.

La Bergamasca

Our inspiration for this programme is the wealth of instrumental music built on popular tunes and themes of the sixteenth to eighteenth centuries. The programme features classic variations on La Follia by Vivaldi and Marais, on La Bergamasca by Uccellini, and works built on a ground bass from The Division Flute. A really colourful and entertaining programme with plenty of memorable melodies and instrumental variety.

Grande Amore, Grande Dolore!

Featuring songs of life and love (and lust!) by baroque masters Purcell, Handel and Scarlatti, this enticing programme presents top soprano Julia Gooding in partnership with Passacaglia. Flutes and recorders have long been used by composers to illustrate affairs of the heart, and our wonderfully engaging programme includes the famous aria Lascia ch'io Pianga from Handel’s Rinaldo, as well as some imaginative chamber music by Couperin and Telemann with an amorous theme!

Parisian Chic

The first public concerts in Paris - known as the Concert Spirituel - took place away from the Royal Court, in the Tuileries, where more daring and eclectic tastes could prevail. Featuring instrumental music in the highly fashionable and controversial Italian virtuoso style, our programme includes music by Leclair, Royer, Rameau, Dornel and members of the illustrious Philidor family. A treat of French eighteenth century splendour and decadence, with more than a hint of Italian extravagance! Celebrating the release of Passacaglia’s new CD recording of instrumental music by Louis-Antoine Dornel.

The Musical Offering

In this special programme, premiered in 2006 with guest violinist Oliver Webber, Passacaglia performs extracts from JS Bach’s monumental Musical Offering, interspersed with entertaining trio sonatas by Bach’s famed compatriots, Telemann and Handel. Performed by some of the UK’s best baroque instrumentalists, this is a programme not to be missed!
Musicians
Annabel Knight (recorder and flute) is one of Britain's most respected recorder players. She teaches at Birmingham Conservatoire and founded the Woodhouse Recorder Week summer school.

Louise Bradbury (recorder) is a regular member of Passacaglia and Fontanella recorder quintet. As well as wide-ranging performing experience she runs an acclaimed community music programme in the South East of England.

Oliver Webber (violin) is one of the most sought-after baroque violinists today. Performing regularly with most of the major period instrument orchestras in the UK he is also an expert on historical stringing.

Reiko Ichise (viola da gamba) regularly plays with orchestras and ensembles such as Concordia and Florilegium, in the UK and abroad.

Robin Bigwood (harpsichord, organ) is a hugely experienced player of historical keyboard instruments as well as modern piano. He combines a performing career with recording and producing.

Regular guests
Dan Laurin's status as a recorder player is truly global. His extensive discography includes baroque favourites alongside contemporary works. He is renowned as a charismatic and characterful performer.

Julia Gooding is one of the UK's finest sopranos working in the field of historically-informed performance. An international performing schedule is matched by a significant recorded output.